Lessons in Awe ...

I recently had reason to have an ultrasound of my heart - it’s all good! turns out my heart is working just as it should albeit a bit slower than others.

I have to tell you it was actually an amazing experience - watching and listening to my own heart in real time … mesmerizing and at times it made me catch my breath! I am truly grateful that it has kept working so well for all these decades!!!!

Lesson 1 - awe is within you and with you every day

The second lesson came in the flash of a screen saver on the TV … a photo of two little birds with the most wonderful colouring! Rainbow Bee-eaters I think and quite breath taking! Nature can deliver awe in all shapes and sizes!

Then I came across an article by neuroscientist/journalist Richard Sima published in the Washington Post with the title “Why it is awesome that your brain can experience awe”

He describes awe as “a response to encountering something more vast, complex or mind-blowing than we had conceived of either physically or conceptually. The experience also induces a change in how we see the world, producing ‘little earthquakes in the mind’. …. Over the course of our lives our brain learns to encode what ‘normal’ is and predict what we think should happen next, based on our internal understanding of the world. That prediction of what happens next guides our behavior. It is crucial for being able to function in this incredibly complicated world. …. But it does narrow our perspective, it narrows our vision”

The article goes on to say that …

“Emerging research shows that experiencing awe may make us more curious, creative and compassionate people. …. By transforming our sense of self and meaning, and enhancing our relationship with others and the wider world, awe has the power to improve our mental and physical health.

So the next question is how to experience more awe!

Richard Sima suggests :-

• viewing something giant ie a mountain range or ocean

• discovering something tiny such as the worlds seen through a microscope

• contemplating a piece of music or discovering a piece of art

• taking ‘awe’ walks through your neighbourhood or nature …

So I’ve been thinking about awe and in particular the Rainbow Bee Eaters and have been playing with a new palette … just to see if I can capture a little of their magic!

So the next question is how to experience more awe!

Richard Sima suggests :-

• viewing something giant ie a mountain range or ocean

• discovering something tiny such as the worlds seen through a microscope

• contemplating a piece of music or discovering a piece of art

• taking ‘awe’ walks through your neighbourhood or nature …

So I’ve been thinking about awe and in particular the Rainbow Bee Eaters and have been playing with a new palette … just to see if I can capture a little of their magic!

and I am on the trail of experience more awe in my life! How about you?

Thank you for reading, I appreciate your time and interest in my art …. CC Always

Inspirations Revisited

When I started CVP last year one of our first tasks was to create an inspiration board - it seemed a bit daunting at the time! In addition to gathering the visual content I also spent some time writing about those inspirations.

The board has hung on my studio wall since then and while the photo’s are a great reminder of what inspires me, it has been interesting to revisit what I wrote!

Now I look at it closely, the thing that really jumps out at me is this quote from Rumi ….

‘Let yourself be silently drawn by the strange pull of what you really love. It will not lead you astray’

Nick Wilton recommended we should review these inspiration boards on a regular basis so 12 months on seems like a good time!

When I consider the images I selected for the original board and compare them with the images I have put together this week (see above) … the subject matter has not changed greatly but I can see that they are all located much closer to home … and also with a closer framing ie closer to the subject and not so much distant landscape - an impact of Covid perhaps? or being clearer about what it is that I love?

I can also see that in both sets of images there are a number of strong underlying themes ….

light shining through trees or clouds; sunrise and sunset; branching structures / V shapes in plants and leaves and patterns of leaves, flowers.

Now to see how these elements translate into abstract forms and composition ideas in my sketchbook!

Thank you for reading …. I appreciate you time and support. CC

A New Sort of Inspiration!

As part of  drawing class,  we went to view the 'Now Contemporary Exhibition'  at the Shoalhaven Art Gallery a couple of weeks ago .... our task was to pick one of the artworks and write a review. The challenge was then to develop an art work.  The brief was to .....

 "Consider the formal aspects of the art work, how elements and principles were used to make the work, in your own response, make a work that has been guided in some significant way by the study you have undertaken.   The work you make can be any subject, size, material, technique and approach you choose"

So I've been working on this project for the last couple of weeks ....  I chose an abstract painting 'Untitled' by Sivan Agam in blues and greens which has a wonderful sense of depth .. made me think of mangroves ...  so I decided to make a work inspired by the value placement  to see if I could achieve a similar sense of depth.

 I also wanted to try out using some silk in this project ....

Here's a photo of the original inspiration painting  and where I'm up to with my piece .... just the first stage ...  more work and stitching to do yet!! 

It certainly is a challenging exercise ... I'll post a photo when finished!!  

Thanks for reading ....CC

A Bit of "Backward Design"!

I've discovered a new design technique ...  well at least a name for it!! 

I was browsing through on of my favorite textile art books "Stitch Stories"  by Cas Holmes and in a section on collage she talks about a process she calls 'backward design' .....  extracting compositions from a larger design .....  and that's just what I've been doing this week. 

I had a larger piece that I made a year or so ago and although there was a lot I liked about it,  something was missing so I set it aside (.... waiting for inspiration !) 

Inspiration came in the form of an idea from an old sketchbook .... putting the two together meant cutting sections from the larger piece as the basis for the new compositions.

 The result is a series of new leafline pieces on the design wall ready for stitching .....  here are three of them .....

I think this will be a very useful design technique for the future   ..... 

And I can highly recommend ............"Stitch Stories" by Cas Holmes,  Batsford, London 2015    if your are looking for inspiration !! 

Have you tried some 'backward design' ??      Thanks for reading ............CC  

Art Date .... well sort of!

I would love to see the David Hockney exhibition currently showing at the National Gallery of Victoria but sadly will not have the opportunity to travel to Melbourne before it closes and the NGV is the only venue in Australia! 

As a consolation, I visited the NGV website and was delighted with the video of David Hockney reviewing the exhibition when he visited for the opening.   Here is the link if you would like a taste......     http://www.ngv.vic.gov.au/exhibition/david-hockney/

I also purchased a copy of the catalogue which at A$29.95 seemed very reasonably priced. When I picked up the parcel from the PO I was surprised by its weight and even more so when I opened it and browsed through its many pages (over 1 inch thick)

With time to settle down and read and enjoy I am even a greater fan !!    Here are a couple of the things that really struck a chord with me .....

The series of 82 (yes 82) portraits included in this show.  Since taking LIsa Call's  'Working in a Series' class a couple of years ago I love this process and where it  can take you.  David Hockney's portrait series is unified by a number of parameters ... size. medium, subject seated on the same chair and the blue/green background blocks.   The pose and attire was determined by the sitter.  Edith Delvaney,  writing in the catalogue observes "Hockney shows no sign of his curiosity in this series and its possibilities diminishing".

I also fell in love with his Yosemite pieces,  capturing the light and atmosphere of this place beautifully, it makes me feel like I was back there.   The other element of these works, created on an ipad,  are the trees.  Hockney is quoted as saying ..."trees have a deep appeal ...." and I am drawn to the variety and forms of the trees depicted in the paintings and the wonderful color palette.  

While these works may have been created on an ipad they are clearly the result of first hand experience.   Simon Maidment, Curator of Contemporary Art the NGV writes " The success of translating these places is owed in no small part to the particular way the artist has chosen to experience them, dedicating time to landscapes, for looking and exploring as well as depicting."

For me,  David Hockney makes wonderful pictures and some day I hope to have the opportunity to see his work face-to-face ...... a real art date!!! 

Have you had an "art date"  recently?  What do you recommend?

Thanks for dropping by  ....CC

Learning More About Working with Photos

Photographs play an important role in my art practice.  They are the way I record my inspirations and allow me to test out designs and ideas.  I use Adobe's Photoshop Elements software and have basically found my way around the program by trial and error and with a bit of help from Mr Google!!!

I recently discovered a series of online classes run by Kris Sazaki and Deb Cashatt ... the Pixeladies and enrolled in Photoshop Elements Essentials 1 

I've just completed the first week of classes and have to say this is one of the best investments I have made in my tech knowledge.  The class is structured around an excellent series of video lesson with follow up notes and homework.

 Already I have learned a much better way of resizing my images .. an increasingly frequent task for website/blog and submissions for exhibitions and shows and one which will have real benefits for the loading speeds on my website. 

Discovered the Camera Distortion Filter so I can now straighten images like this one.....

I sometimes like to photograph work lying flat to really highlight the stitching but often find the image is a bit distorted by the angles ... no longer!!

and I've learned how to add a watermark to an image .....

Next week .......   planning quilting lines, testing cut fabrics and auditioning colors are on the list.  I can't wait !!!

I would highly recommend these classes if you want to learn more about working with your photos and Photoshop Elements!!  

What tech classes do you recommend??? 

Thanks for dropping by ....CC

Pushing the Boundaries - Karin Olah

This week I have been inspired by the wonderful work of  textile artist Karin Olah.

I first came across one of her floral works with a wonderful sense of dimension and was intrigued to know how she made it ....

                                                   Magnolia  - Karin Olah

Karin describes her work as "fabric collage painting".  In an interview some years back she says " I cut out my brushstrokes instead of painting them on"......

As I searched to find more of her work I discovered a series of wonderful landscape pieces .....

                                                      Blue Flag Day  - Karin Olah

Karin describes her process ..... " I start with rough outline, a drawing or a little under-painting, and then I start layering fabric.  I soak each piece in rice starch and then squeegee it onto the canvas.  I use opaque and transparent fabrics so you can see a little history underneath in building up the shapes and background."

I love the different textures the different fabrics bring to this work ... it's all about the fabric!

Karin's website is a visual delight ....  you will find it at www.karinolah.com 

Thanks for dropping by ....  I hope you are inspired!!  CC